And the proof is in the pudding, as you can see above. And no, making presets isn't difficult, but making good presets is. I've long been a fan of Mastin Labs presets, and this set does not disappoint. I know that the installer gives the option to install for your aforementioned camera brands, but the proof's in the pudding, so to speak. It's a great product, but anyone who shoots a lot of real film knows that its really not a film "matching" look.
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But you went on about how hard it is to tell the difference, and of course you are right about that. Sure you can make a preset that would be better off for more types of images, but that simpy entails not going to extremes in the creation of such a preset. Fuji, Portra, and Ilford. Thank you for writing this!
Not visually, per say, but with regards to those of us who have purchased his masrin and have either loved or hand raised felt like they were a rip-off for what you get. This typically results in a more contrasty image with more, and sometimes some funky, oversaturating of colors among other things.

VCSO doesn't require shooting that underexposed to get a lot of their looks- i only shoot a half stop and still get great toning. Pprtra using the presets on portraits, I felt like they added just enough mood without going so far that I needed to spend excessive time pulling every photo back to keep them from looking overbaked.
I feel a little silly gushing over presets, but the fact is that Kirk has put crazy amounts of time that I don't even want to think about, into making these as realistic and accurate as possible, and it shows. Let me know how you like them!!
Mastin works gorgeously well on all lighting situations. It can be scary and expensive!
For the most part I always thought of the color of most films as being awful. As for people having different preferences regarding how their images look, of course. I LOVE this post! I also don't see why people simply don't create their own presets.
Fstoppers Reviews: Mastin Labs Portra Pushed Film Presets
Andrew Richardson Jay Jay - March 24, No, I just prefer to underexpose by a stop and then bring up in post regardless of how I'm editing. Making a good edit on a single image means you have a potential good preset for that image.
I wasn't aware this was a discussion about image quality, I thought it was a general potrra about film vs digital. Or that people might have a different preference than you when it comes to how their images look?
Mastin presets are configured in a way different from any other presets I've seen and, as such, I find them to be far more consistent when editing than other major "film" presets.
Mastin Labs Portra Original Pack for Lightroom & ACR
The only way to get consistent color in this scenario is matsin first try and get all images to have similar color, contrast, saturation, etc, before applying such a filter. My editing time has been cut down to a third.
I hope these are the ones! Log in or register to post comments. So glad you love them, they're pretty incredible!

Jeremiah Spray - March 24, I'm primarily a film shooter, but we love using Mastin on our digital images. Do I have to start worrying about the quality? So with one click, my for sale posting becomes a lot more attractive. If you're enjoying using them, keep on keeping on, Lbs say.
Fstoppers Reviews: Mastin Labs Portra Pushed Film Presets | Fstoppers
But that's another topic. I've long been a fan of Mastin Labs presets, and this set does not disappoint. You need to check RNI then.

That's precisely what they do. I'm seeing only a few slider adjustments, not a full copyrighted calibration preset for specific camera types. For my first two years using Mastin, I was only shooting digital, and it worked out wonderfully for me.
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